Interview, 'Points of Intersection' for Art Squat Magazine
'Experiences in Sculptural Poetry at New Wonzimer Space' review by Genie Davis. Art and Cake Magazine. Aug 2022
'Beautiful, Not Pretty' by Art Squat Magazine. Aug 2022.
Interview, ‘Points of Intersection’ explores the impermanence of home at Long Beach Museum of Art. by Samantha Diaz. The Signal Tribune. Aug 2022
LBLN Weekend Roundup. By Casey N. Wilson. Long Beach Local News. Aug 2022
Summer of What? Arts Calendar Aug 4-10. by Shana Nys Dumbrot. LA Weekly. Aug 2022
The newest, coolest L.A. and O.C. museum shows to see in August 2022. by Matt Cooper. Los Angles Times. Aug 2022
'...use commonplace materials to create objects of confidence, elegance and beauty that demand intense mental participation and direct visceral response. SHANA NYS DAMBROT, LA Weekly, July 2022.
The Getty Center Introduces Two Day Festival. by Samantha Diaz, Signal Tribune, June 2022.
The Getty comes to Long Beach. by Harry Saltzgaver, Press Telegram, June 2022.
Long Beach will Host the 3rd of 10 Community Festivals.by A.A. Cristi, Broadway World, June 2022.
Extracting the Global and Inviting the Intimate. By Genie Davis. Art & Cake. May 2022.
The newest, coolest L.A. and O.C. museum shows to see in March 2022. by Matt Cooper. Los Angles Times.
The Newest L.A. and O.C. Museum Exhibitions to see in February 2022. By Matt Cooper. Los Angeles Times.
L.A. Art Documents, January 2022 Memorial to the Future -- Video Footage
Artists Talk on Arts NYC (Archives held at Smithsonian). September 20, 2021 Barry Kostrinsky, ed. Virtual Open Studio
Belgrade Art Residency, June 2021 Bax, ed. Residency Interview
Quotes
"It's like Dubuffet, but better. More painterly and more interesting to look at."
"Full scale brutalism unleashed - The most brilliant architectural installation I’ve ever seen! I kid you not - After decades of being drug around to architectural Biennials as a kid, in the 80s the Venice Biennial and the San Francisco Biennial in Fort Mason - Daniela Soberman is better!"
"Smart materiality, funny, modular, not precious, & [i love] her poke at the male art historical canon."
"a little bit playful and a little bit grim"
"it's like 3d Joan Mitchell" "Heavy and light, solid and perforated, intimate marks on a grand scale."
"Her architectonic Yugoslavian brutalism scorched in the hot white California sunshine - with 10x the slipped smart details of Scarpa and the baroque madness of Gaudi!"
"It’s thrilling to see a piece of this complexity and size"
"The scale is amazing! Fearless!!"
"Astonishing"
"brilliant"
"Amazing, unique, unexpected, spectacular!"
"It's like punk rock Frank Ghery"
"This is astounding work!"
"Daniela purposefully engaged simplistic and barbarian brutalist ceramic pieces she often discarded confronting the supremacy of the object while creating in a fury. She made ceramic interlocking pieces with a looseness and a levity and yet also many levels of meaning in the markings and letterings. Her mark makings, at times Twombly like are, are often shrouded in white...memory...thinking back with time's glow. She gains line and coloration from glaze collecting in the hacked out marks. Ms. Soberman has moved to interlocking styrofoam and other materials and scaled up to 8', indeed many of her works read well as maquettes for larger pieces and yet are beautiful in their own scale." Barry Kostrinky, ATOANYC